Grateful dead dancing bear wallpaper
STARFINDER STANLEY: Bear had firm views on pretty much everything and anything you could come up with. But he’d probably explain a lot of other things too. If you asked Bear himself, he’d explain the bears on Bear’s Choice weren’t dancing at all. It was artist Bob Thomas who put the bears in a circle around the back cover. It was also the first release of music from what Owsley called his Sonic Journals, vérité documents of his work as a sound engineer. It was a tribute to Ron “Pigpen” McKernan, who’d passed away that spring. The bears that you know first appeared in July 1973 on the Grateful Dead live album, The History of the Grateful Dead, Volume One: Bear’s Choice. But, as you may have noticed, there sure are a lot of them. That’s a lot for some little cuddly bears. In addition to being the Grateful Dead’s first in-house audio engineer and a pioneer who helped transform live concert sound, Owsley was also the most legendary underground LSD chemist in history, a story inseparable from the history of the Dead - and, for that matter, perhaps the entirety of Western culture over the past half-century. And they’re some excellent tracks to leave behind. Owsley Stanley, also known as the Bear, or just Bear, made many tapes. He was born Augustus Owsley Stanley III in 1935, though he hated the “Augustus” and had it legally changed later on. The Bear in question is also the person responsible for that recording and many more, by the Grateful Dead and others. JESSE: That was the Grateful Dead on June 28th, 1969 in Santa Rosa, California, covering Porter Wagoner’s “Ol’ Slew Foot” and answering the musical question: “Does a bear drop in the woods?” JERRY GARCIA : Only if there’s someone there to hear it. Does a bear drop in the woods? That is the question. PHIL LESH : This song is about bear drops. These bears might look cuddly and cute, but there’s a bit more to the story. But they’re everywhere, an iconography permanently associated with the Grateful Dead.īut why bears? And why are they dancing? It’s kind of like asking what egg-laying rabbits have to do with Easter, but there’s a lot more LSD involved. Maybe you love them, maybe you hate them. When there are baseball games, people wear them as costumes and dance on top of the dugout. They’re on sweatshirts and scarves and golf balls and pretty much anything you can put a dancing bear on. They’re on license plate holders and stickers that get stuck on bathroom mirrors in bars. Maybe you’ve never even heard of the Grateful Dead before and you accidentally clicked on this somehow - you’ve still seen these bears, trust me. 60 on the Billboard 200.JESSE: You know the dancing bears. It was recorded on February 13 and 14, 1970, and offers concert highlights from the show at the Fillmore East in New York City. The live album by the band was released in July of 1973 on Warner Bros. History of the Grateful Dead, Volume One (Bear’s Choice) That amounts to more than 5,000,000 doses. By his own account, he produced at least 500 grams between 19. He was reportedly the first known private person to manufacture mass quantities of LSD. He also helped develop the group’s “wall of sound.” Many in the media called him the Acid King. He was the sound engineer for the Grateful Dead and recorded many of the group’s live performances. Said Bear of the bears, “the bears on the album cover are not really ‘dancing.’ I don’t know why people think they are their positions are quite obviously those of a high-stepping march.”Īn American-Australian audio engineer, “Bear” was a key figure in the Bay Area hippie movement in the ’60s. The bears themselves are a reference to Owsley “Bear” Stanley, who recorded and produced the album upon which they appear. Thomas said that he based the depictions on a lead sort, which is a block with a typographic character etched on it, from an unknown font.
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Drawn by Bob Thomas as part of the back cover for the band’s 1973 album, History of the Grateful Dead, Volume One (Bear’s Choice), the “dancing” bears may not even be dancing at all.